This is the single page portfolio of Hadley Donaldson.

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14 January 2008

Happy belated new year everyone. I'm completely sick of this website now.. it's getting a bit too unweildy, and it's annoying to update and generally just pretty pants. All the descriptions and things have fallen by the wayside too, but in the next iteration, they'll be back in full effect.

Anyway, here's a bunch of new stuff. There's a couple of other new things I did recently (illustration for the 2008 Wellington Fringe Festival, and the Camp A Low Hum 2008 site map) that I'll post when I can get photos of them actual pieces. Other than that, there's some new gig posters to look at. I'm in a fairly productive mood lately and really want to start cranking out some of my own things... art prints and what have you.

If you actually visit here in the hopes of seeing new work, you might be better off checking out my blog. New things go up on there as they happen.

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NEW POSTERS!#^%#&$#*
Varying formats.

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A1 - 2 Colour Screenprint
Here are the last three So So Modern posters. I'm useless and haven't made it
to any of the gigs! I really like the yellow one and the green one.

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A2 - 3 Colour
This is a tour blank for a band in Christchurch. I did a CD single cover for them
which contains similar imagery... it'll be posted up here once it's done. A couple of
people asked where I scanned the plane/smoke image from... I guess it looks quite
old school or something... anyway, I drew it and was pretty stoked with how it
turned out. It almost works as a grim companion piece to the Over the Atlantic
poster below. No doubt if I was in the US i'd be arrested as a terrorist.

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My Band is playing at this gig. Stoked! The Mint Chicks released one of the best
albums of 2006, hands down. Crazy? Yes! Dumb? No!
I originally had another concept in mind that was more or less taking the piss
out of some stuff that went down at the end of their last gig here that got blown
out of proportion... but it would've been a massive in-joke...
and not a very funny one really.

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A1, 2 Colour Screen Print
This is the first in a series of 4 prints. They'll all be featuring this
character, or variations of it, fitting the theme of each particular gig.
Stylistically far removed from almost all my other work, period.
I enjoyed making it. I look forward to the others.


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A1, 2 Colour Screen Print
Two completely separate gigs on one poster is pretty unorthadox.
Poor ghosty heartbrain couldn't hack the pace apparently. Emooo

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A1, 2 Colour Screen Print
Taking the name somewhat literally... I guess...
I like this one quite a lot

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A1, 2 Colour Screen Print
The original date of this got pushed back so I got a chance to rework a few things
I wasn't happy with from the first attempt. This has a certain vibe for me that I don't
think other people pick up on. Definitely a departure from other posters.

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Okay, so this was a pretty major deal for me. No way did I expect to land a
Poster of the Week on gigposters.com quite so soon, if at all. It's an incredible honour
for me, as the site has been a massive inspiration to me. The artists and their work on
there both inspired me and pushed me to work harder on my illustration.
Massive thanks to Clay, the creator and runner of gigposters.com!!

I feel I should note that the poster of week isn't drawn from the most recent
submissions to the site (although a lot of times it is) but every poster that has ever been
submitted.
Which means this was drawn from the tens of thousands of posters on the site.
Go me!

As far as the poster itself goes, I needed to do something quick before I went away on
holiday to Melbourne with my girlfriend. I'd wanted to try something using halftone-ish
dots as shading, to give a flat object some depth. I think it worked. I've been pretty
interested by various peoples interpretations of it too. Someone thought it looked like
old school video game graphics (guess they saw the dots as pixels), someone else
thought it was trying to emulate the look of an electron microscope image. Some people
see a bug, some people see a mask, some people see a weird alien face.
Really, it's satisfying to know that people actually look at it long enough to come up
a personal take on it.

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malenky

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This poster is for a show we're playing in a couple of days (although it'll probably be
months ago by the time I update the site again) with Auckland bands Malenky Robot
and Amy Racecar. Oh and The Henderson. Notice how I didn't make our band name
huge. Personally I think the most important names on a poster are the headlining
act(s). Some bands pack a major sad when their name isn't as big as everyone elses
on the poster. Just an ego thing I guess. Ultimately, if the poster is interesting enough
people will actually stop and look at it. I quite like this poster. It was done fairly quickly.
There's a ton of these around the place at the moment. I'll take a a photo if it ever
stops raining.
*UPDATE*
The gig went really well. We played a pretty good set, and there were a lot of
unfamiliar faces there. Good to know it's not just our friends showing up to the gigs
There'll be a write up about this gig on my blog soonish.

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Unlike the poster below, pretty much the entire country (or at least, people who live in
cities that count) saw this one. I had done the very first Low Hum tour posters a while back
and was really stoked to be given the opportunity to have another swing at it.
After a bunch of sketching, for whatever reason, spray can characters appealed and
seemed appropriate. This was completed it pretty much one sitting. All nighters do funny
things to the brain. There's a little narrative in there, but it quite possibly only apparent
after you've forgone sleep and sat at a computer for 10 hours+. These looked great on the
street... the red really popped. It's a two colour offset print... There were also A0 sized
black and white prints which while not only huge, stood out pretty nicely too. Go me!
This imagery featured on the cover of the Low Hum magazine, as well as the cover of the
CDs that came with the magazine, and also the discs themselves. Much thanks to Blink!

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This poster is kinda special as it was for my first gig with Fighting the Shakes.
We're not actually all 'throw up ya goats' metal or anything, but given the date of
the show, it seemed appropriate. Did you find the secret writing? Unfortunately
barely anyone saw these posters as they never got put up before the gig.
The gig itself was pretty fun. I was pretty nervous beforehand, as I'd never played
in front a crowd in public. I managed to compound my nervousness by busting the
low E on my bass about 15 seconds into our sound check.... and we'd left the spare
set of strings at the practice space. Good one! Still, one mad cross town dash later
and we were back in time for me to drink a beer, have it sit very poorly, and play our
set. Like most things you anticipate for days on end, it seemed to be over in a flash.
And from what I can tell we didn't suck. The Henderson are lovely lads too, but being
a tuesday, everyone buggered off after we played. Which is either a good sign or a
bad sign... I'm not entirely sure.

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I think it's fairly obvious where the inspiration for the character on this poster came
from. If not... look at the band name, then look at the picture. It's funny, to a lot of
people the little guy looks totally bummed out... but he's actually just stoked to be
hearing for the first time in years. He just had to break his own horn off to do it.
I've drawn a lot of these little cyclopsy cloven hoofed be-horned guys... I dig 'em.
It must be noted that I suck and didn't go to any of the shows these guys played.

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FalterFighting the ShakesFighting the Shakes
Low HumPure Evil TrioDeadline
Low HumBattle Circus

 

Gigposters_

THIS BABBLE IS OLD!

I'm definitely wanting to make more of these suckers, so if you're in a band (or heaven forbid, management for some big kickass band!) send me an email!

I'm definitely a fan of screen-printed gigposters, but that's something of a rareity in New Zealand... but then, so are good gigposters... Coincidence?
... erm, most probably.
Lack of funds seems to be the main (un)motivating factor...
But these days, when crappily designed, black and white photocopied posters are the norm, a good poster will always stand out.

And why the hell are posters for international bands NZ gigs almost always based around a photo of the band? It's not like your average person on the street is going to see a poster for Strung Out and recognise them. Hell, most of their fans wouldn't either. A picture of a bunch of average looking dudes standing around being staunch isn't gonna inspire many people to go along (I assume). So yeah, long story short, promotors, get me to do the posters for your international gigs ;)

Click a poster to see a bigger image at Gigposters.com

 


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Flip Grater - Cage for a Song- Album Cover - 2006

Ink/Photoshop

Flip Grater is a singer/songwriter based in Christchurch, NZ. She'd seen some of my
posters and dug 'em and got in touch. She was after something quite sparse and
simple. This is the end result. This is off at the printers now, but when the actual album
reaches my hot little hands I'll post up photos of it in all it's jewelcased glory. It's due in
stores early August. The song 'Where's the Door' is awesome. I've only heard half the
damn thing so far! This has happened pretty much every time I've done a CD cover.
Go figure.

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Sommerset - Say What You Want - Album Cover - 2004

Photoshop/Illustrator

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Remedial Class CD Cover

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Remedial Class Compilation Cover - 2005

Photoshop/Illustrator


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BC logo

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Battle Circus - Logo - 2006
Photoshop/Illustrator


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BC Shirt

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Battle Circus - Shirt Design- 2006
Photoshop/Illustrator

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skullbomb

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Skullbomb T-shirt - 2005
2 Colour Plastisol


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Design_

I'm a designer by trade (or graphic artist, depending on my mood, both mean basically the same thing, just one sounds slightly more wanky than the other... you decide which), but I've tried to avoid falling into the Mac Operator trap. I've done it on and off, but surprisingly, it's not incredibly fulfilling. Perhaps I'm overly idealistic, but I didn't want to get my degree and promptly rush out and find a 'real' job at some design firm doing corporate stuff. Not to knock it, but it just wasn't me.

I've loved music for as long as I can remember, and it's remained my main motivating path as a designer. Almost everything I've done creatively since graduating has been tied to it in some way.

I'm sure I have more to say on this subject, but I can't think of it at the moment and I should probably stop procrastinating putting the rest of the content in!






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The Henderson - In Miracle World - EP Cover
Flash/Photoshop

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Pulp Magazine - Apr/May 2006 issue
Flash/Photoshop

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Pulp Magazine - Feb/Mar 2006 issue
Flash/Photoshop
Four illustrations for Pulp Magazine, for an article called 'The Music Made Me Do It'.
Basically it was about music making people kill themselves (or others). Cheery stuff!
I like the Judas Priest one a lot. Thinking about making an artprint of it.
But without the Judas Priest logo. As much as I'd love a lawsuit against me....

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Low Hum

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Low Hum Magazine - Feb 2006 issue
Flash/Photoshop
I dig this, but I don't feel like saying much about it. I was given a pretty crappy
photo to use to illustrate an article and I pulled out the parts I liked and did
my own thing with it. A little self indulgent perhaps. These things happen.

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Painting - 'Untitled' - Dec 2005

Acrylic on canvas - 5"x7"
This is the first painting I'd done in almost a decade. Art classes in high school totally killed my interest in painting... either that or I was completely useless at it. Probably a combination of both. Anyway, this is the first of hopefully many more paintings. I was pretty surprised how it turned out considering my ineptitude as a young(er)ster. Watch this space.. see if I improve!

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Screenprint - 'Blarghle' - 2003
Behold the profound glory of my first screenprint. Two colour job (obviously).
The films were hand cut from rubylith. I quite like the little guy... needs a hug though huh?
There's still a few of these prints (and a brownish variant)
left so get in touch if you're interested in one!


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Screenprint - 'Trio' - 2005
Another two colour print. This is basically the Pure Evil Trio tour poster with some elements
masked off. Edition of roughly 25. I like it a lot. Still some left if you're interested in one.
The band like the design so much they ended up using it for their merch t-shirts.
It's always cool when something like that happens.


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Skel Print 1Skel Print 2

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Screenprint - 'Skel' - 2005
This print was done more or less as an experiment.. I wanted to see how well I could
print a half-toned image and still retain the detail, and also see how well printing onto
canvas worked. As it turns out, it worked pretty well. After printing them I did something
different to each one... Shellac on some, wood varnish, watercolours etc.
Edition of 25. Contact me if you're interested in one!


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Xmas Card


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Screenprint - 'Xmas Card' - 2004
A delightful four colour Christmas card. Perfect for gran! There were a fair few
out of register messes in this run. It is four colour, but you can't really see the white
layer in this photo. It's quite subtle in person too, but it's definitely there.
I screenprinted the Autistk logo on the envelopes too. Still a handful of these
available for sale. Only nine months till Christmas! Get in fast!


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skullbomb stencil


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Stencil - 'Skullbomb' - 2005
Spraypaint, Acrylic on steel
This is where the t-shirt design above originated. It was a piece for an exhibition
at the gallery/clothing store Good As Gold in Wellington. This was my first proper
attempt at a stencil. Turned out pretty nicely... It's pretty big... like 1/2 a metre in
diameter. Heavy too! I really should do some more stencilling. It's like a quicker,
dirtier version of screenprinting. Plus I'm completely rubbish at 'proper' spraying.
*sigh* I'll never be an elite graf artist


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Illustration_

So, illustration huh?
People used to always say my drawings were 'dark, but you know, kinda not... and cute, but well... no not really cute'. If that makes any sense? I guess you can see for yourself. I used to have a major problem with people describing my stuff that way, but I learnt that it wasn't necessarily a bad thing. Now I kinda like it! I'm still growing as an illustrator, and an artist in general I guess.

Originally I had a separate section for screenprinted stuff on here, but since all of that is really illustration it's been shuffled into here and the design sections. I love screenprinting and can't wait to do more of it. To me it's something of a medium between digital and traditional art. A lot of my illustration is either done straight on the computer with the Wacom tablet, or scanned in and heavily modified.
I'm not really into the idea of computer printouts of digital art, even high quality ones.
It's mainly the fact that you could feasibly run off a thousand copies and they'd all be exactly the same. With screenprinting you get a bit of variation in there, (or a lot depending on how badly you screw up the job, haha)...
I guess it's just a vibe thing...
or perhaps I'm an elitist snob?


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Underminded - Hail Unamerican! E-Card - 2004

Flash/Photoshop/Illustrator
Promotional e-card advertising the release of the bands last album. This was
quite fun to do. Underminded are a politically minded hardcore act from the US.
The images that flash up through the intro were about 50/50 from their album cover
artwork and my digging around for stuff that seemed appropriate. Or inappropriate
depending on your disposition. I was sick of seeing really bland e-cards that were
basically a photo of the band being all 'Flashed' around in time to the music. I spose
this isn't really that much different from that, but it looks slicker. But I felt like an e-card
could be more of a trailer for the album, or give a bit more of the gist. Go me!

Click any of the pictures to check out the e-card

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Flash_

Flash... Initially a complete and utter mystery, but I've grown to understand it.
Outside of all the picture making nonsense you see on this page, I do a fair amount of contracting work as a Flash animator. All really corporate kinda stuff, but I find it a good challenge, and it tends to involve a lot of problem solving, whether it's relating to keeping stuff within tight filesize restrictions, or simply figuring out the best way to animate something.

E-cards are sort of a weird thing though... I have no idea how much they influence people into buying a record, particularly in this day of MySpace's and PureVolumes.